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Cameras

The Death of High Fidelity

Have you purchased a Billboard top 10 CD lately? If you have, more often that not, it’s probably very loud. That’s awesome, isn’t it? Not exactly. Most of the public is unaware of this, but this is probably the worst thing you could do to sound reproduction. This is done through a process called Dynamic Range Compression (DRC). In simple terms, it reduces the dynamic range of an audio signal. In a normal song, there are highs and lows. Quiet chapters, and loud chapters. With excessive DRC, all the nuance and range between different parts of the song are lost. To the untrained ear, this might sound good since records with heavy DRC are louder. However, you are not hearing what the artist intended you to hear through their music. It’s akin to going to an art gallery, and then having the curator smearing paint all over the art because they think it’s better that way. Generally speaking, many people have never heard a pristine, clean recording, so they have no frame of reference as to what something with minimal compression sounds like. The video below illustrates the detriment DRC is to modern recordings. It really hit the nail on the head.
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Nikon Seminars at J&R: Nikon D5000 & D90

Nikon D5000: Smart. Sharp. Simply Brilliant
Thursday, November 12, 2009 from 12:00 Noon to 1:00 pm
1 Park Row, 4th Floor
Register Now

Take your photography to the next level. The Nikon D5000 incorporates leading edge technology in a device so simple to use, taking great pictures becomes second nature.

Join Nikon’s own, Christopher Knapp, as he walks you through a detailed demonstration of this amazingly capable camera. Learn photography basics, camera setup, as well as advanced settings regarding Auto-Focus, Continuous Shooting, Bracketing, Scene Modes, Picture Control, D-Movie creation and much more! Continue Reading »

 

Nikon D3S DSLR – The Latest From Nikon Adds Still and Movie Modes

The Digital SLR camera has been plagued in its evolutionary awareness. Nikon’s earlier digital SLR cameras (DSLR) used a DX format. The advantage of changing lenses (while attempting some compatibility with earlier lens formats) confounded the best positioning of the digital sensor behind the lens. Imaging was based on a 24 x 16mm frame. A full frame is considered to be 36 x 24mm, nearly double the surface area. That translated to lower resolution, reduced light sensitivity, and some parallax differentiation. While those DX cameras were still benchmarks of its time. Critical professional photographers were sensitive about these drawbacks. So Nikon revised and corrected these (and other complaints) and produced the FX-series DSLR.
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